Spoiler Warning


Always assume Spoilers and possible profanity in context. These are often adult themed movies.


Showing posts with label Robert De Niro. Show all posts
Showing posts with label Robert De Niro. Show all posts

Saturday, August 18, 2012

Top Ten Robert De Niro Anti Heroes



Widely regarded as one of the greatest actors of all time, Robert De Niro is often thought of as a guy who plays gangsters for a living. While he's certainly done plenty of those roles, he's also played diverse roles in some of the best films of all time. His commitment to the part of Jake LaMotta is often used to illustrate the limit of dedication to acting. His work with Martin Scorsese alone would be enough to make him legendary. While he hasn't received as much respect for his most recent years, he's clearly an actor that loves to work and his willingness to take a risk rather than rest on his laurels is its own statement and with almost 100 films to his credit, it's a strong one. Even today his presence is likely to be the high point of a film. Films like "Stone" and "Ronin" should be enough to dispel doubts about his contemporary ability. In trying to pick his top ten anti heroes, it was inevitable that some notables would be left out. The Godfather Part II and Goodfellas are my most felt omissions, both left out for similiar reasons, simply that while De Niro was great in both, he wasn't center stage. Feel free to mention your favorites in the comments if I left out one you love.



10. Louis Cyphre (Angel Heart)

One of the creepiest portrayals of the devil on screen. De Niro is presented at first as a ruthless businessman trying to find a missing musician, Johnny Favourite,  in order to enforce a contract. He hires private detective Harry Angel (Mickey Rourke) who ends up more deeply involved in the case than he could imagine. Although his name is a pretty big hint. You wouldn't think long fingernails or the way someone eats an egg would be menacing, but they are here. DeNiro plays it straight out of a surreal nightmare. He's cast perfectly for this noirish detective story with a supernatural twist.
No matter how cleverly you sneak up on a mirror, your reflection always looks you straight in the eye.

9. Max Cady (Cape Fear)

While I'll always be a little partial to Robert Mitchum, De Niro certainly made his version of Max Cady a memorable one. Where Mitchum was a master at looming, DeNiro's menace seemed more rooted in the physical. The other factor is the pairing of DeNiro and Nolte, versus Mitchum and Peck. DeNiro easily dominates Nolte, while Gregory Peck is a pretty respectable match for Mitchum. In both cases, you can easily believe that Cady is a true psychopath, capable of any twisted act of cruelty necessary to get his revenge and it's a miracle if the attorney escapes.
It's not necessary to lay a foul tongue on me my friend. I could get upset. Things could get out of hand. Then in self defense, I could do something to you that you would not like, right here.


8. Ace Rothstein (Casino)

More of a numbers guy than a thug, Ace Rothstein becomes essential to the gambling business in Las Vegas. With his old friend Nicky (Joe Pesci) by his side, Ace struggles to keep everything under his control. Of course large amounts of money can have unexpected effects. Ace doesn't count on the actions of Ginger (Sharon Stone) a hustler he falls in love with, whose loyalties are elsewhere. He also has to deal with the fallout from Nicky's increasingly psychopathic tendencies. Add in politics, the mob, and ever uncertain loyalties, and Ace has far too much on his plate to deal with.
The longer they play, the more they lose, and in the end, we get it all.


7. Neil McCauley (Heat)

Neil McCauley is a professional bank robber, who has heists down to a science. He's equipped with a very serious and competent crew and stays out of prison living by the motto "Never have anything in your life that you can't walk out on in thirty seconds flat, if you spot the heat coming around the corner." However, after a job goes bad, Lt. Vincent Hanna (Al Pacino) notices Neil, and lets him know about it, while Neil and crew plan one more big job. Neil shows a bad sense of timing and falls in love in the midst of this. This of course leads to a big showdown with Hanna, the toughest opponent he could ask for.
A guy told me one time, "Don't let yourself get attached to anything you are not willing to walk out on in 30 seconds flat if you feel the heat around the corner." Now, if you're on me and you gotta move when I move, how do you expect to keep a... a marriage?

6. Johnny Boy (Mean Streets)

Charlie (Harvey Keitel) and Johnny Boy grew up together in Little Italy. While Charlie is concerned with his place in the Mafia  and in the Catholic Church, Johnny Boy seems oblivious to it all, instead revelling in his status as a thug. He isn't concerned about who he offends or owes money to, as much as he's determined to live up to his own idea of the gangster image. This makes things difficult for Charlie, who feels he has to look out for Johnny Boy. The consequences of Johnny Boy's recklessness are bound to catch up with them both and it's not likely that either Charlie or Johnny Boy are ready for success.
I fuck you right where you breath, because I don't give two shits about you or nobody else.


5. Rupert Pupkin (The King of Comedy)

Rupert Pupkin wants to be a famous stand up comic, although he's not very talented. He imagines that super popular talk show host Jerry Langford (Jerry Lewis) could make his dreams come true, by having him perform on his show. He stalks Langford as an obsessive fan with no success, and finally decides that his only chance at a big break is to kidnap Langford and force him to put him on TV. Given the limelight, Pupkin tells the audience what he's done, and adds "better to be king for a night, than schmuck for a lifetime."  Although faced with prison for his actions, we find that his plan perhaps wasn't so crazy after all.
Why not me? Why not? A guy can get anything he wants as long as he pays the price. What's wrong with that? Stranger things have happened.

4. Michael (The Deer Hunter)

Three friends from a working class town, Michael (Robert DeNiro) Steven (John Savage,) and Nick (Christopher Walken) are eager to serve together in the Vietnam War. Captured and held in a POW camp, their captors force them to play Russian Roulette among other tortures. The three manage a difficult escape but end up separated. Michael returns home but has a tough time adjusting to civilian life, wondering about his friends. He has difficulty hunting deer, once a favorite pastime, as he has trouble with the killing now. Briefly, he believes that Nick and Steven are both dead, but finds out that Steven has lost his legs due to injuries from their escape. During his visit, he gets a clue on Nick's whereabouts and attempts to retrieve him from a gambling den where he plays Russian Roulette for the benefit of gamblers. He finds that Nick has been changed even more than he has by the years since Viet Nam.
You have to think about one shot. One shot is what it's all about. A deer's gotta be taken with one shot.

3. Jake LaMotta, (Raging Bull)

We catch up with Jake LaMotta well past the end of his boxing career. We're shown his rise and fall, starting as a talented up and coming boxer, but getting sidetracked by his anger and jealousy. Realizing he needs the mob to get a title match, he throws a fight but makes it much too obvious and ends up suspended. Eventually he does win the championship although he's more consumed with jealousy concerning his wife. His abusiveness ends up alienating everyone he cares about including his brother Joey. His wife divorces him and he serves prison time for setting up underage girls with adult men. We get a picture of a man who nearly had everything, but couldn't stop his own self destructiveness. DeNiro's preparation for the role is legendary and shows through as he truly becomes LaMotta from start to finish.
I've done a lot of bad things, Joey. Maybe it's comin' back to me.

2. Travis Bickle (Taxi Driver)

Travis Bickle drives a cab because he can't sleep. He refers to himself as "God's lonely man." as he's unable to connect with anybody. He just drives through NYC, picking people up and dropping them off. He becomes fixated on "Betsy (Cybil Shepherd) a woman working on a political campaign for a Senator Palatine. It becomes obvious quickly that Bickle doesn't have a chance with Betsy due to his absolute lack of understanding social skills. He can't stop thinking about cleaning up "the scum" from the city streets and buys a gun. This leads him into a deranged plan to assassinate Palatine, which is aborted when he's spotted by secret service men. He also meets a teenaged prostitute named Iris (Jodie Foster) and ends up altering his "quest" from killing Palatine to freeing Iris. Perhaps the most memorable anti heroes in cinema, Bickle is a
character who only by chance ends up looking the hero, and certainly never feels like it.
Thank God for the rain to wash the trash off the sidewalk.


1. "Noodles" Aaronson, (Once Upon A Time in America)

A truly epic film, Once Upon A Time in America, tells the story of "Noodles" Aaronson from growing up in Brooklyn in the '20's to returning home in 1968. He and some other kids in the neighborhood , most notably a kid named Max, form their own gang and pursue petty theft and crime, clashing with other  small time young crooks. Noodles is in love with Deborah, the local butchers daughter. An invention of Noodles impresses mobster Capuano and starts the boys earning serious money, which they keep in a train station locker, agreeing to only open it when all are present. They end up at odds with the local mobster, Bugsy who doesn't like their gang running independently. In their confrontation one of the gang is killed and Noodles, enraged, stabs a cop and gets sent away to prison. On his release, Max (James Woods) picks him up, and he learns that the gang has changed and they now run a funeral parlor to cover their real income which is illegal liquor, due to the Prohibition. He discovers that the gang is now taking orders from mobster Frankie Manoldi, which doesn't sit well with him. He reconnects with Deborah, and rapes her, ruining any chance at a further relationship. After everyone in the gang is killed in a heist gone wrong, he finds the money at the train station has been replaced by newspaper and his girlfriend is murdered. Noodles leaves town and goes to Buffalo. He returns in 1968 and finds his friends' graves were moved. He also finds money in the locker again, and that Max may not be as dead as he appeared to be, but the time may have come to settle things. I can't think of another film that better presents the weight of a whole life spent badly, and DeNiro is fully there every step of the way.
I'm not that kind of guy. Besides, I'm afraid if I give you a good crack in the mouth, you'd probably like it.

Thursday, February 3, 2011

Stone


What Happens?

Young mother Madylyn Mabry puts her daughter to bed while her husband Jack watches a ball game on television. A bee buzzes around the window as she stays with her girl. After the child is asleep, she goes downstairs and announces she's leaving, saying "You keep my soul in a dungeon." He takes a moment to disconnect from the game, then runs upstairs to the bedroom and holds their daughter out the window, threatening to drop her if Madylyn leaves. "Do you think I won't? Do you think I won't?" he yells at her. She agrees to stay.

Many years later, Jack Mabry(Robert DeNiro) and Madylyn (Frances Conroy) return home from church for a quiet afternoon. He watches TV and drinks in an identical pose to his younger self in the earlier scene, while she works on a puzzle. Late that night a call wakes them. Jack picks up the phone and hears a woman's voice. "Betsy?" he asks, obviously distressed. We find him at church the next day, speaking at his brother Bobby's funeral.

Jack reports to work at a prison, where he's a parole officer. He listens to Christian radio in his car on the way in. Once there, we see him talk to different inmates but hear a persistent buzzing in the background as if to suggest that Jack has other things and pressures on his mind. He's called into the warden's office and asked to shut the door. The warden calls one of his reports "an incompetent mess." before laughing and revealing he's joking. He then asks Jack to get Janice, his replacement, up to speed on his cases before he retires. Jack agrees, but requests that he keep all of his "currents" until he leaves, in order to see them through until their reviews. Janice offers condolences about Jack's brother. Jack has a new case in his office, named Gerald Creeson (Ed Norton) Jack reviews his file as if the man isn't there. He insists that he likes to be called Stone. Jack is hesitant to oblige, assuming it's a prison nickname. Stone asks Jack if he can help him get out early, pointing out that he acknowledged his guilt and isn't interested in talking about what he did when it's all in the file. Jack wants to talk about his crimes however, and Stone has an outburst assuming Jack isn't interested in helping. Stone dares him to give him the maximum and starts walking out. Jack then yells at him, letting him know that they talk about what he wants to talk about and demanding he "sit the fuck down."

Jack then explains, "Look, this is the process, we talk. We're not friends, but let's pretend we're friends. Just relax. Just talk. That's all.Then maybe we both get what we want. OK?" He then asks Stone about his wife, Lucetta.  Stone describes her as a "dime" which he explains to Jack means "a perfect ten." He also tells Jack that she's an alien. Jack assumes he means she's an illegal alien, but Stone says "No. She's whiter than you. She's from another planet." Stone describes her sexuality graphically, telling Jack, "She's crazy. She'll do anything." He warns Jack "Look if we're gonna talk about Lucetta, you gotta watch out cause it's gonna give you some pictures in your head, gonna keep you up nights, man." When he notices that Jack doesn't look pleased, he apologizes for his mouth. Stone asks about Jack's wife. When Jack says he's been married 43 years, Stone remarks " 43 years and you still get it on and everything?" This offends Jack and Stone tries to explain, he's just curious about how he'll do when he's older. Jack explains that he doesn't discuss his wife that way. He tells Stone "I don't consider this polite conversation." and reminds Stone that they're there to talk about him.

Jack drives home listening to more radio, and buying a couple of bottles of booze on the way. He sits on the porch with Madylyn, both of them listening to a Christian radio program discussing predestination. Madylyn attempts to talk to him but he isn't even aware of it. She asks "Where have you gone?" Jack meets with Stone again and asks him to recount the arson incident. Stone tells him that "Teach" and his grandfather got into a fight which ended with Stone's grandparents dead, before Stone torched the house. Jack wants to talk more about it.
Jack: Whose idea was it?
Stone: I told you it was Teach! Like I said I wasn't even...I went outside the house.
Jack:Yeah, but you didn't stop him, did you?
Stone:Stop him what?
Jack:From killing your grandparents.
Stone: You ain't gonna do it man. You're not gonna...You don't give a fuck man. I was outside. Teach come out and I didn't even know what he done until he told me. Teach testified to that, man! That's why I didn't even catch the rap for manslaughter. I got accessory and arson. I've done eight out of ten to fifteen. What more do you want, from me?
Jack stares at him blankly.

We then find Lucetta (Milla Jovovich) at a preschool working with kids. She smiles, telling the class that today is a day for them each to do one nice thing for someone else and not tell anyone about it.

Madylyn is hosting a card game for her friends. She gets a phone call from a woman looking for Jack, the sound of the call is distorted, but the caller hangs up when she says she'd Mrs. Mabry and offers to take a message.

Stone calls Lucetta from prison and catches her watching the kids at recess. Lucetta tells him that "she was short with me, like she didn't want to talk." Stone asks "Why were you talking to her?" He tells her "I need you to do this for me right now. Don't let it slide." She says OK. We see Stone having another meeting with Jack who says
"I guess what I'm getting at, is do you believe what you did was wrong?"
Stone: What do you think, because I grew up west side, that I'm one of these socio...delinquent types, don't know the difference between right and wrong? Want me to tell you about my bad childhood?
Jack: I don't know. Did you have one?
Stone: Well, at the time, I thought a lot of shit was normal...definitely unhealthy, but on the same token, i didn't think I was a bad person to begin with. You want to know if I'm gonna light any more grandparents on fire?
Jack: Are you?
Stone: No.
Stone tells him he deserves to be free, telling Jack "I'm as clean as you." Jack says "Maybe, maybe not."
Stone: Seriously, let me ask you something, you know? Why do you gotta sit there, asking me these questions, like you never done nothin'. Why do you get to walk around free and I don't?
Jack: I wasn't convicted of a crime.
Stone: You never did anything bad? You never did anybody no wrong, had to be forgiven for nothing?
Jack: I never broke the law.
Jack shuts him out, staring blankly again while Stone asks him about the many things he could have done. Stone claims he's been reborn, but can't answer when Jack asks what "reborn" means to him.

Lucetta stops at the prison for a visit with Stone. She likes his cornrows, and the two are cautioned against contact when she starts kissing him passionately. He asks for an update on her contacting Jack. She tells him she's left messages and he hasn't called her back. He instructs her "You've got to get with him person to person." She tells him she didn't wear panties just for him, and he touches her but restrains himself before getting carried away, not wanting to break the rules. He says "I can't get no ticket.You understand right? I'm too close." She appears disappointed but agrees. He tells her he's got to get out or he's likely to kill himself, which she tells him not to joke about. Stone becomes fascinated with another prisoner reading the Bible to his son. After the visitation is over, he gets every religious book he can from the library.Nothing seems to catch until he finds one on "Zukangor" This religion is a patchwork of many and instructs that enlightenment can be achieved by hearing the "perfect pitch" making yourself "like a tuning fork."

That night Lucetta leaves a message on Jack and Madylyn's answering machine, before calling up a guy for sex. She's waiting for Jack outside the prison the next day. He tells her it isn't appropriate to meet this way, acting as if she's there to see Stone and reminding her of proper channels to do that. She then offers him a bird's nest that the kids in class made, which he refuses but then reconsiders when she describes the kids making it. Jack asks Stone about it, but he says that Lucetta does whatever she wants. Stone runs the Zukangor faith past Jack, describing the tuning fork idea and their practice of chanting then listening.. Jack isn't into the idea, saying he's Episcopalian. Stone explains that the religion also uses reincarnation, stating you have to come back until you get it right. Jack asks him "What about this life?" and Stone tells him he's thought about that a lot.

Jack and Madylyn go to church, but Jack stays behind to talk with the pastor, telling Madylyn to go home. He tells the pastor that faith seems to come easy for people he knows but not to him, he says "sometimes the thoughts that I have, I think you should shoot me."
Pastor: I don't think that's what God wants for you.
Jack: What does he want?
Unable to give a concrete answer the pastor quotes a verse saying "Be still and know that I am God." which he paraphrase to Jack as meaning sometimes God speaks in mysterious ways.

In the prison yard, Stone tries the chanting, but seems to find it too noisy. Lucetta calls Jack's house again, Madylyn picking up the phone first. When Jack asks who it is she says "a friend of yours." He tells Lucetta she shouldn't call the house, making a point to call her Mrs. Creeson although she insists on Lucetta every time. She wants to know when they can meet.
Jack: Look Mrs Creeson, I have business with your husband...
Lucetta: Well that's why I'm calling. I mean, what, did you think I had another reason?
Jack: Well, no, I didn't.
Lucetta: Maybe we could go to lunch. You could bring Mrs. Mabry too. You know she's got such a sweet voice, what's her first name?
Jack: Look, I admire that you love your husband and that you want to do what's right for him, but you're not helping him. I'm telling you that right now.
Lucetta: [raspy voice] Oh Jack I do love my husband. I love him so much, and all I'm asking you, is for a chance to help you see him in a different light. i mean, how many men at that place you work at have somebody loving them like that? huh? Doesn't that mean something to you? A man in a position like yours?
Jack: No. It does.
She describes how she misses him in her bed, and Jack goes quiet, looking around self consciously. Madylyn is somewhere close by. We then see Lucetta visiting Stone. She tells him "I got him. It's gonna happen." Stone looks dead tired and looks at her coldly. He complains that it's too loud all the time and he's having weird dreams. He talks about suicide again, and she assumes he's referring to a dream, and then asks him if he ate spicy food before bed.

Jack meets Lucetta for lunch. He starts talking about his grandchild, and mentions that his daughter's getting divorced, explaining "People are gonna do what they're gonna do." She notices him fidgeting with back pain. She mentions magnet therapy as a suggestion for his back, explaining that the magnets remove toxicity, from cell phones and everything in the environment. Lucetta has an egg which she tells him she has to eat because the kids painted it. She offers it to him, making a voice to indicate the egg talking, she says "Eat me." He says "Why not." and takes a bite saying "I'm just eating the healthy part." She says "Go on, just eat the whole thing."  They end up at Lucetta's place where she asks him if he feels the magnets. Madylyn sits at home on the porch in the dark, smoking cigarettes. Jack has a few drinks and ends up sleeping with Lucetta.

Stone is lying in bed in his cell and two guards come to get him asking what's wrong and escorting him to Medical. While he waits for someone to see him he witnesses another inmate being brutally shivved. Stone sees it occur through a barred door, close enough that he gets blood on him. He reaches out to the dying man through the bars, wide eyed, as if he's realized something. We hear a high pitch in the background, as he looks in the dead man's eyes.

At Jack's house the next morning, Madylyn reads from a devotional book aloud to Jack, asking "To what extent is my commitment to obey God based on do's and don'ts or out of true love for him? In what recent circumstance was I aware of God's leading?"  She asks Jack, "Why don't you say the blessing?" which he does, saying a standard prayer but adding "Make us mindful of the needs of others." eliciting a look from Madylyn. She asks Jack if he wants an egg, and he quickly declines.

Stone sits in the cafeteria, looking more peaceful, and seems able to block out the noisy room. Jack drives listening to the radio which says "We are not sinners because we sin. We sin because we are sinners." He goes to a field to drive golf balls, but soon goes to see Lucetta again for sex, which she seems pretty open about, telling Jack he's a good man for "helping them" while they're in bed. Jack tells her sternly that nobody is to know about this, warning that whatever it is she wants will "all go bad if anybody knows." She just says "Of course silly."

Stone is out in the prison yard staring at the sky, and we see that he isn't affected by the noise. He goes in to visit Lucetta and asks her "Do you ever wonder about things they say go on forever?"
Lucetta: What?
Stone: Things they say go on forever - like... what's that mean, you know? The sky, like, they say the sky goes on forever. But what is that really? That's - I mean, you can't see nothing you can't see, so... it's like a big bowl of blue above you. You can see clouds during the day or you can see stars at night maybe, but even with a telescope you can't see forever. So how do they know?
Lucetta: Know what?
Stone: What it is. Eternity - how do they know?
Lucetta changes the subject saying "So Jack, he said the board's gonna review the whole thing. Okay? And they're gonna take into consideration your age and, you know, your Mom, and all that and the fact that you were an addict back then. [noticing he doesn't appear to be listening] Stoney baby, look at me. I was trying to tell you about your parole!
Stone: Yeah
Lucetta: Well, you weren't listening.
Stone: Oh yeah, I'm listening.I am.
Lucetta: Ok. So Jack said...
Stone: You call him Jack?
She explains what Jack plans to do and tells him it's great but Jack is distant. HE says "Sometimes i think the best thing is to just listen." prompting her to cry and tell him to "stop playing."

Jack is angry when he comes into work the next day. He meets with Stone who attempts to explain something about his experience with the inmate who was shivved. Jack doesn't seem to get any sense of what he's saying, reading in his notes that Stone had "a profound spiritual epiphany." Stone says he's never heard that word before, and tells him they can drop it. Jack says "Don't get me wrong. I'd like to believe in such things."
Stone: Like what? Like me? You believe in me?
Jack: Sure, I'd like to believe in you too. That's why we're all here, right?
Stone attempts to describe it again, as a moment when "all the static went away, and I could hear for real." He explains that he now sees that his life in prison isn't empty and pointless like he thought it was. He tells Jack, that the efforts he'd asked him for earlier aren't important to him anymore, saying "You should do what you think is right. Okay? I am whatever you say I am in there. So write what you feel. Seriously." He explains that he wants to be out but is likely to have the same problems he's always had when he gets out.

Jack stops by to see Lucetta again, and tells her what happened. She tells him it's probably "some kind of play acting." and that he's always had different ideas about things. Jack tells her "It was different." and asks her to "be straight. Is this all just an act/ Just tell me what's going on." She tells him "I don't do anything I don't want to do. I like you Jack. I would never fuck you if I didn't want to." He tells her he's not going to come by anymore but she tells him he will. She says that even after Stone gets out, they can still be friends too. Jack still tries to leave and she mentions that Stone is "a good man at heart." He seems shacked and asks "Do you really believe that." She says "Yeah I do. no different than you and me." Jack asks if she goes to church ans Lucetta says "Hell no. There's no such thing as God." Jack gets home and showers before going to bed.

The next day, he tells Stone that he sent the report recommending early release. Stone seems antagonistic about it and surprised. He goes over the details of the night of the arson, describing seeing his grandparents dead when they were alive two minutes ago. He says that he heard a loud buzzing in his ears and knew that there needed to be a fire. He asks "You ever seen a fire take control? It's something, It's alive. I watched it take them up and start to change them. And the only thought that came in my head was 'This is awesome.'
Jack: Awesome?
Stone: Yeah. It was truly awesome. And the thing is, I know I'm supposed to take responsibility for my actions. I know that I'm supposed to feel guilty about it, but I never did, and I never knew why. But, now I think i can understand that it was just part of what was supposed to happen in my life's journey. You know?
Jack: That was your decision.
He explains that they're all God's coworkers, without knowing it. Jack insists it has nothing to do with God and cuts him off.
Jack: Enough of this shit. You know...You...Lucetta, she said that you were...
Stone: Lucetta?
Jack: Your wife she...
Stone: You call her Lucetta? Don't...
Jack: What?
Stone: Don't listen to her.
Jack: What do you mean?
Stone: Don't listen to what she's telling you man.
Jack: She believes in you.
Stone: It's a game to her. It's a game. I told you in the beginning, she's an alien. She's like a freak.
Jack: That's not a nice thing to say.
Stone: No. Listen, I'm telling it to you straight. She's just working on you.
Jack starts to get angry and tells Stone he's nuts that he has "a beautiful wife that cares about you..." but Stone asks "beautiful? you think she's beautiful?" leaving Jack speechless a moment.he recovers
Jack: Okay, you're a con, I've known that from the start. I didn't believe you for one fucking second. Never did. Never did. So you've both been conning me? Ok. I know. I've been around the block a few times. Sick and fucking tired of it.
Stone: What'd I say man?
Jack rants about being conned and his frustrations, that "no one changes for the better."  Stone asks him "Do you have anyone?" which only angers him more. Stone then advises him to "blow your life up. I'm pulling for you." Jack gets irate and starts yelling at the guards to come grab Stone. JAck drives home without the radio. Late that night, Lucetta leaves a message on the machine, saying she needs him to call as she's in the dark on everything. The next morning the phone rings while he and Madylyn are eating breakfast and she tells him to let the machine get it, but he doesn't getting up to get the call, to find it's their daughter. That night he sits with Madylyn on the porch. She's been reading Zukangor, and tells Jack he started out as a stone, and worked his way up to human, and each incarnation has been paying off debts. He realizes she's reading from a flyer which she tells him was junk mail and she says "You know what I think? I think we get this one life. I do. You account for what you've done and if you don't you pay for it when you die. You don't think?"
Jack: Oh [beneath his breath] Shit.
Madylyn: Shit. Shit. Son of a bitch. Fuck. Fuck.
Jack: Ok. I get it.
Madylyn continues swearing at him, when Lucetta pulls up in the dark, and approaches the porch. Jack gets up to persuade her to leave. He calls her Mrs. Creeson and attempts to act official until they get to the car and he says "Get in the fucking car." She asks what's going on with her husband and angrily says she just needed a friend to talk to, but drives away. He acts outraged about her coming to their home for Madylyn's benefit.

At work in the morning, Jack is asking the warden for Stone's report back, explaining he made an error. The warden isn't happy, as the hearing is in an hour. The warden tells him that it doesn't matter as Stone's fate is already determined by "luck and quotas." Jack doesn't stay for the hearing. We see that he takes his gun when he leaves the prison. Jack is at home drinking with Madylyn, who is discussing their devotional book. She mentions that they'll be looking at the commandments next. Jack asks her "Do you believe in all this?" and she tells him to read the next lesson. "What request is on the top of my prayer list today? Is it a selfish request or is it one that will bring God glory?"
Madylyn: I know what I want. How about you? You lost your place again? Is there something you want to say to me?"
Jack: [shakes his head]
Madylyn: You don't?
Jack: I can't even think of what you'd want me to say.
Madylyn gets up from the table and leaves him there.

Stone is informed that he'll be released.He stops in to see Jack while he's waiting. Stone asks if he wants to talk about anything, as he "looks a little ragged." Jack reminds Stone that he can have him watched twenty four hours a day. Stone remarks "Shit man, you don't believe in nothing do you?"
Jack: I believe you're one sick son of a bitch.
Stone: I know you don't believe in me, but you don't believe in yourself. You don't believe in God. I don't think you feel that anything is true inside.
Jack: I'll give you true. I'm glad you're out of my hair Gerald Creeson. Now you can be someone else's headache.Jack makes it clear he wants him out of the office. Lucetta shows up to pick him up and comes into the office. Stone asks if he can kiss her and Jack says that's fine. He tells her he's ready to go, but Stone turns back before leaving and says to Jack "You know I want to thank you. Seriously. I appreciate everything that you've done for me."
Jack nods uncomfortably and looks at Lucetta and says "Good luck to you too Mrs. Creeson." She answers. "Lucetta, Jack. We're all friends here, right?" He says "Take good care of him." She whispers "I will. You take good care too old man. See you later Jack." As Jack is about to shut the door behind them, Stone stops and says "I meant to say, Lucetta, she did tell me that you fucked her. I know that must be against some kind of rule around here.
Jack: I knew what you two were doing.
Stone: Oh, did you know what you were doing when you let my wife suck your cock?
Jack: Good luck to you.
Stone: See you out on the bricks.
Jack: Good luck to you!

Jack gets home and that night we see he's taking his gun out to the porch. He remembers Lucetta telling him she liked him as he tries to sleep. He thinks he hears noises downstairs and keeps his gun in hand to go look. He finds a fire downstairs, and goes to get Madylyn who is already awake. Watching the house burn Jack keeps taking the lord's name in vain, which she repeatedly tells him she won't stand for. He remarks that they were almost incinerated by "some nutjob I let out." and she insist that "nobody did this to us. It was an act of God." She makes up a story about frayed wiring in the kitchen wall and rags in the basement. "Why would you say that?" Jack asks and she say "Because. it's as good a story as any."

We see Madylyn with her daughter and granddaughter, looking through photo albums. Her daughter says "I don't know how you stuck it out as long as you did. I'd think you'd have done this sooner." Madylyn says "I almost did, once." although she doesn't answer when asked "what happened?"
Jack is at the bar with his coworkers, for his retirement party. He starts giving Janice, his replacement, advice about all the cons she'll be dealing with. He starts hitting on her, but she insists they keep things professional, but he starts swearing at her and then at the warden who steps in. They offer to drive him home but he insists on leaving himself. He listens to the radio, which is about God having Satan on the ropes, but Satan is flailing his arms which causes damage. Jack sees Stone walking down the street and approaches him with gun in hand asking why he ruined his life. Stone says "Hey man you ain't gonna do this." which causes a reaction similar to the beginning with Jack saying "You think i won't? You think I won't?" with a gun to Stone's face.   With the gun still on him, Stone shakes his head and says "No. No I don't." He looks at Jack before walking away. Jack goes into work to clean his office. We hear the radio station again, and we hear Stone, describing the sound which brings spiritual truth and the tuning fork idea. Stone packs a bag and starts walking down the road. We see Lucetta at a bar trying to get a guy's attention. Madylyn smokes a cigarette alone looking over a fence. She hears a bee buzzing, which also seems to be heard by Jack, in his old office, who looks up from packing.

What About it?

Make no mistake, Stone is not an action movie. Although John Curran includes all the trappings of a good crime thriller, this is not a crime thriller. If you're interested in a movie about broken characters and the effects they have on each other, without a bow to wrap it up at the end, you might be ok. That isn't to say things don't happen, they do, but it isn't about them, per se. Stone is more about how we deal with our dark sides and the lengths we'll travel to make all the randomness make sense. I'm not sure that I'd call it a great film, but it's a worthwhile one, full of great performances and interesting thoughts. It's a great looking movie and it manages to feel like a neo noir, but plot wise it takes it's own direction and it's characters seem more concerned with their own journeys than our expectations.

Not accidentally, everyone in the film is a mess, but everyone is broken in their own way. Everyone also thinks the story is about them, and in a way that's true as the connections between each of them dissolve. Every character has own faith or lack of it and a question central to the characters is the question of free will. Jack's radio programs ponder this endlessly, although they try to have it both ways, painting man as a creature who "sins because he's a sinner, not a sinner because he sins." yet on the other hand valuing choice. Jack and his wife share a religion. They're Episcopalian. They share it for different reasons however. Jack is a guy who doesn't expect any joy from life. He has terrible thoughts, by his own estimation, but loses himself in routine and daily drinking. He wants the things a man is supposed to want, precisely because he's supposed to want them. At the beginning of the movie, we see young Jack living his American Dream, a nice little house, a pretty young wife, a daughter put to bed upstairs, a game to watch on TV and a drink in his hand. None of these things matter to him, as what they are. They're the things he should have and it's his duty to keep them. Jack has no real emotional attachment to any of it. He lives his life by rote. The fact that he can consider throwing his daughter out a window to make his wife stay with him, shows us that they are both tools to him. He doesn't strike his wife, or even argue with her, he simply does the thing that he's calculated will end the discussion quickly. We can look at this and easily call Jack a monster, but he may be a monster in a different way than we think. Jack tells us that he has terrible thoughts and most likely he does, or he wouldn't have been holding his daughter out a window. The thought wouldn't have entered his mind. Yet, we have to allow for the possibility that Jack is not only a monster but a powerless one at that, and it's likely that despite his anger, he never would've dropped his daughter, and it was always a melodramatic bluff from the beginning. He uses the same words at the window, as he does later when he holds a gun to Stone's face. "You don't think I will?" This tells us a lot about the character. He's trying to prove he's a monster, the ultimate Alpha male. With his wife , he achieves that, because, even if she doesn't believe him, she can't entertain the possibility for a second that he isn't bluffing if it means gambling with her own daughter. With Stone, the same gambit fails, because Stone doesn't believe him. Jack doesn't really care about anything, but knows how other people act and what's expected and emulates that. perhaps hoping that the satisfaction he imagines other people have will rub off if he does what they do. From that day forward, he knows his wife isn't with him by choice, but he doesn't care. He isn't concerned about his daughter's affection either, if her remark to her mother, about how she should have left him years ago is believed. He feels no satisfaction but has no other solution, so he keeps on going, because maybe others thinking he's normal counts for something.

Madylyn is another story. She's something of a martyr, staying with a man she despises for decades, for a moment out of fear, but eventually out of habit. We see Madylyn years after her daughter has left the house, acting as if their home life is normal. They go to church come home, sit on the porch and drink together, eat together, study the Bible together. When he watches TV she keeps herself busy.  Yet, she has never forgotten the feeling that he "keeps her soul in a cage." Her drinking helps some, but even without out it she walks around like a sleep walker, who knows what's happening around her. Her chief satisfaction is sneaking in barbs, that Jack is well aware of, but on the surface, could pass for harmless banter. When he tells Jack to read the devotional about "selfish prayer requests" I suspect she knew exactly what he would be reading and he likely knew that before he read it, but to refuse would break their suspension of disbelief. Her faith means something to her and this is largely due to Jack, as she implies on the porch when she says she believes people account for themselves in this life or pay after they die. This is her consolation, that his responsibility for her decades of swallowing her chance at happiness will not go unpunished, and in her belief, that punishment is serious. She knows that Jack is not the good man he tries to portray himself as, an she has to remind him of this, but not in a way that would disrupt their life. She could easily bring his activities with Lucetta out to his attention but she doesn't, not even when she's walking towards the house, talking to her by name. This is the straw that proves too much however, and strains her illusion enough to finally snap. When it does snap, she isn't content just to leave, the house to her, is an abomination, a symbol of her misery and nothing will do but to burn it down. It isn't certain however, that she intended to get out of the house. If Jack hadn't woken up and come to get her, would she have let the fire grow until they were both trapped? It seems possible, but he did wake up and so she has a chance to start over.

Stone is a character that's interesting, because on the one hand, he's a natural manipulator, but on the other, he doesn't know exactly what he wants. It would seem that some of his talk is authentic, but what he chooses to share and when, are as important as the content. He begins testing Jack immediately, threatening to walk out the door and take the "max" is actually a challenge to get Jack invested in his case. The chance to help someone who didn't want to be helped is too much for Jack's pride to turn down, as well as a chance to thump his chest and assert his authority. Stone notices that Jack allows his frank sexual talk about Lucetta go on, not objecting until the talk shifts to his own sex life. She's an alien, he says, as exotic and enticing a description as could be thought of, to a man who is obviously not content and has been married for many years. Jack does change the subject eventually, but Stone has already suggested some visions he can't get out of his head, none of which mean anything however unless he meets her in person and has an actual woman to attach the talk to. Stone is a natural manipulator, used to playing a role most of the time, which changes depending on what he wants. The only indication he gives is a cold glare in his eyes which pops up every now and then, as if to see if his mark is buying the act.  Only Lucetta is aware of this, although she still buys his act at times, somewhat willingly because she loves him. It's no shock to him that Jack has sex with Lucetta, as he really can't have any other reason to urge her to meet him in person so insistently. He knows his wife very well and from their conversations, it's clear that this is leverage that he wants to have. This doesn't keep him from giving Lucetta a hard time about it, perhaps just because he can.  Watching him toy with Jack, telling him things designed to make him hesitant to recommend early release, in order to watch Jack rationalize the deal he thinks he made by sleeping with Lucetta is interesting. Jack ends up playing a similar game with Stone as the the one he plays with his wife, hoping that if he  doesn't mention the elephant in the room, it may go away. He suspects that Stone knows, but assumes that he does not. Watching the change in Jack, when Stone says "You call her Lucetta?" (and the same trick with Lucetta) gives away the whole dynamic. It's enough to rattle Jack, who is looking for holes in the situation, not believing he's good enough to sleep with Lucetta. However, based on what we see when Stone is not playing for an audience, we can gather that his "conversion" is sincere. He is changed after witnessing the shivving, although how much we don't know exactly. This muddies his manipulations to some degree and adds the possibility that he does have some actual concern for Jack, and actually does have some second thoughts about early release. He is however, as he himself points out, the same guy, with the same struggles, an he can't resist telling Jack that he knows about him and Lucetta, although he doesn't seem to have any interest in using this knowledge, other than to throw Jack off balance.  His true relationship with her, is unclear, as he has little trouble offering her as a ploy to get released, but we see her left to her own devices, soon after she gets him out. Stone is a con man who doesn't care about objectives. He seems to get satisfaction from the game itself. His interest in "Zukangor" seems quite quite profound to him. The reincarnation aspect combined with his suspicion that they're all "God's coworker's" although they don't know it gives his life more sense than it ever has, allowing him to reason that the things he's done were the things he needed to do for "his journey."

Lucetta is the most straightforward character. We know that she really loves her husband, but has no problem with sex with other men. She tells Jack, that she doesn't do anything she doesn't want to, and we can believe her. We know that she has sex with men besides Jack on her own terms. Her tactics when dealing with Jack are interesting, simply presenting a situation which Jack can take advantage of. She doesn't resort to any threats, merely assumes that in Jack's situation, is a sign of him agreeing to help them. Rather than threaten blackmail, she tells him he's "a good man" for helping them, while they're still in bed. Her interaction with Stone, telling him about Jack's upcoming recommendation shows her lack of feeling any guilt in the matter. "Didn't I do good?" she beams, although Jack's manipulative nature won't allow him to congratulate her. She has her own methods for dealing with Stone. We see her completely brush aside his talk of suicide, reframing what he says as if it's a joke and then later a dream. This is a simple yet effective device to brush his con aside. Unlike most characters, in her position, she doesn't have any desire to use sex for a power grab. When she drives to Jack's place and confronts him in front of his wife, she seems to simply want to know what's going on with her husband, and gets frustrated when Jack won't return her calls. She allows Jack to send her away and is quite sincere when she says "I just wanted a friend to talk to." She would likely have no problem sitting on the porch with Jack and his wife to discuss Stone's situation. Her faith is different than others in that she doesn't believe in God. She tells Jack that she's more interested in the body than the soul, reasoning that the body is the reality. This explains her interest in magnet therapy, and her confusion at Stone's new Zukangor faith. She chooses to live in the here and now without any guilt, agenda or maliciousness. Her simple motivations are an interesting buffer between Jack and Stone.

The acting is the real star of the movie. Norton, DeNiro and Jovovich and Conroy all give tremendous performances, giving us fleshed out characters, that are deep enough that we know we're only scratching the surface of who they are. Their actions alone and their interactions with each other show us the difference between who they are and how they like to appear. This is underplayed acting however, solid but not grabbing for attention, choosing time spent, rather than melodrama to reveal themselves to us. This are roles that stick with you, rather than demand attention outright, the actors subtleties matching the roles the characters try to play in their lives.

Despite possible complaints that "nothing happens." each character is in a very different place at the end of the film. Madylyn has finally freed herself from her dead marriage. Jack is stripped of all the the trappings he hid behind. Lucetta is for all intents a single woman, and Stone is off to seek out some existential answers. The bee buzzing at the end suggests that hey ended up exactly where they should've. Jack views his situation as a tragedy, but based on his behavior, it's hard to argue with Stone's advice that he "blow his life up." Without the elaborate hiding places, he may have a chance to really look at and work on who he is. The many questions of faith presented, aren't really answered, but they really couldn't be, each being a means by which the characters deal with the world. "Zukangor" doesn't work that differently than being an Episcopalian, offering some purpose, vague enough to be examined while offering a modicum of hope. Jack's verson of Christianity has more in common with Lucetta's atheism, than with his wife's sharing of, on the surface, the same faith. Yet a stark difference between Jack and Lucetta is that, although she's an atheist, she believes wholeheartedly in many things, while Jack claims to believe in one thing, but doesn't feel it. Jack is more of an actor than Stone is, although his con is much deeper, and mainly practiced on himself. None of the characters are right or wrong, due to their faith. In fact, none of the characters are right or wrong at all, they're simply broken and coping in their own individual ways. The lack of value judgements allows us to think about each character, what they believe and how this works or doesn't work for them, and the uselessness of judging others when everyone has to carry their own weight.

Sunday, September 19, 2010

Taxi Driver


When the word "anti hero" is used, odds are that in short order Travis Bickle comes to mind. He's definitely a character that stays with you, thanks to the painful story and DeNiro's amazing performance. Travis is the modern anti hero, not smooth or polished. He can't put a wisecrack together unless it's in front of the mirror. He's just a guy that wants to amount to something yet either doesn't have the character or the opportunity, only the painful awareness of everything he isn't. His only solace is his own convictions, he has strong opinions about many things most notably that the streets of NY are infested with scum, and need to be cleaned up.

We begin the movie with an introduction to Bickle's world view, a close up on his eyes in red light, while soothing music plays, interspersed with the world out the windshield, which is little more than bright and busy lights scored by the more ominous music of building drums.

We find Travis interviewing for a job at a cab company. His interviewer clearly suspects his and possibly anyone's motives for wanting to drive a cab.
Personnel Officer: So whaddya want to hack for, Bickle?
Travis Bickle: I can't sleep nights.
Personnel Officer: There's porno theaters for that.
Travis Bickle: Yeah, I know, I tried that.
Personnel Officer: So now what do you do?
Travis Bickle: I ride around most nights - subways, buses - but you know, if I'm gonna do that I might as well get paid for it.

When asked about his driving record, Bickle says "It's clean, as clean as my conscience." He gives his education as "a little, here and there." and also states that he was honorably discharged from the Marines. The interviewer tells him to check back when the next shift starts. We next find Bickle at home in his apartment writing a letter, which he starts by thanking god "for the rain, which helps wash away the garbage and trash off the sidewalks." He states he's working long hours, six-seven days a week, and he's happy that this keeps him busy. He continues:
"All the animals come out at night - whores, skunk pussies, buggers, queens, fairies, dopers, junkies, sick, venal. Someday a real rain will come and wash all this scum off the streets. I go all over. I take people to the Bronx, Brooklyn, I take 'em to Harlem. I don't care. Don't make no difference to me. It does to some. Some won't even take spooks. Don't make no difference to me."

We see Travis pick up a businessman with a prostitute, who promises a big tip if "he does the right things." he tells us that every night he has to clean bodily fluids from the backseats of his cab. We see Travis popping pills after his shift before heading for a porno theater. He makes an advance at the girl selling refreshments the theater, who rejects him, threatening to call the manager. Resuming his letter, he says,
"The days go on and on... they don't end. All my life needed was a sense of someplace to go. I don't believe that one should devote his life to morbid self-attention, I believe that one should become a person like other people."

He then goes on to describe seeing Betsy (Cybill Shepherd) for the first time, at Palantine campaign headquarters. He sees her as angel appearing in the midst of the filth in the streets. We see Betsy at work for the Palantine campaign, stating to a coworker, "push the man first, then the issue." She points out that "the taxi driver" is staring at them through the window. He speeds of startled when Betsy puts her coworker up to confronting him.

Travis meets his his fellow drivers at a diner after a shift. While they're very friendly to him, he has a hard time staying socially engaged drifting off between comments, forcing them to repeat themselves to get an answer from him. They swap fare stories, and Travis mentions some news he heard about a cabbie getting cut. One of the drivers, noticing that Travis handles some rough neighborhoods tells him that if he ever needs a gun, he can get him a good deal. Travis declines and seems content to sit at the table drifting into his own thoughts.

Travis gets dressed up in nice clothes, and shows up at Palantine campaign headquarters, volunteering to work for Palantine's campaign, insisting that he speak directly to Betsy. When she questions him, finding he knows nothing about Palantine, Bickle tells her she's the most beautiful woman he's ever seen, then continuing:
Bickle: I'll tell you why. I think you're a lonely person. I drive by this place a lot and I see you here. I see a lot of people around you. And I see all these phones and all this stuff on your desk. It means nothing. Then when I came inside and I met you, I saw in your eyes and I saw the way you carried yourself that you're not a happy person. And I think you need something. And if you want to call it a friend, you can call it a friend.
Betsy: Are you gonna be my friend?
Bickle: Yeah.
She seems charmed by his unconventional approach and agrees to meet him for a cup of coffee at 4:00. They talk about Betsy's work and Travis brings up her coworker:
 Bickle: I would say he has quite a few problems. His energy seems to go in the wrong places. When I walked in and I saw you two sitting there, I could just tell by the way you were both relating that there was no connection whatsoever. And I felt when I walked in that there was something between us. There was an impulse that we were both following. So that gave me the right to come in and talk to you. Otherwise I never would have felt that I had the right to talk to you or say anything to you. I never would have had the courage to talk to you. And with him I felt there was nothing and I could sense it. When I walked in, I knew I was right. Did you feel that way?
Betsy: I wouldn't be here if I didn't.

Coffee goes pretty well and Betsy seems fascinated with Travis. She agrees to go to a movie with him at another time, telling him before going back to work,

 Betsy: You know what you remind me of?
Travis Bickle: What?
Betsy: That song by Kris Kristofferson.
Travis Bickle: Who's that?
Betsy: A songwriter. 'He's a prophet... he's a prophet and a pusher, partly truth, partly fiction. A walking contradiction.'
Travis Bickle: [uneasily] You sayin' that about me?
Betsy: Who else would I be talkin' about?
Travis Bickle: I'm no pusher. I never have pushed.
Betsy: No, no. Just the part about the contradictions. You are that.

Travis runs out to buy a Kris Kristofferson album, and looks forward to meeting Betsy for a movie. He happens to pick up Senator Palantine in his cab, and when Palantine asks him the one thing in the country that bugs him the most, he inspires a rant from Travis comparing the city to a cesspool.

An underage prostitute, Iris (Jodie Foster) gets in his cab to get away from her pimp, Sport (Harvey Keitel) who pulls her out of the cab, when Travis doesn't take off fast enough. Sport throws a bill onto his seay and tells him to forget about it. Travis meets Betsy, dressed up in a suit jacket and tie and reveals that the Kristofferson album was for Betsy. He surprises Betsy, by bringing her to a dirty movie. She attempts to sit through it, but leaves quickly, offended and not willing to talk about it. He calls her and finds she's not interested in seeing him at all. He sends her flowers which she won't accept and end up sitting in his own apartment. Desperate, he storms into Palantine headquarters only to be escorted out.

Travis picks up an odd fare, who has him park across the street from an apartment building so he can look at his wife in another man's window. The fare explains in detail that he's going to kill her, explaining what a 44 Magnum will do to a woman. This clearly rattles Travis. He meets with the other cabbies at the diner again, and he pulls "The Wizard" aside, looking for advice, stating he has some bad ideas in his head.

The Wizard: Look at it this way. A man takes a job, you know? And that job - I mean, like that - That becomes what he is. You know, like - You do a thing and that's what you are. Like I've been a cabbie for thirteen years. Ten years at night. I still don't own my own cab. You know why? Because I don't want to. That must be what I want. To be on the night shift drivin' somebody else's cab. You understand? I mean, you become - You get a job, you become the job. One guy lives in Brooklyn. One guy lives in Sutton Place. You got a lawyer. Another guy's a doctor. Another guy dies. Another guy gets well. People are born, y'know? I envy you, your youth. Go on, get laid, get drunk. Do anything. You got no choice, anyway. I mean, we're all fucked. More or less, ya know.
Travis Bickle: I don't know. That's about the dumbest thing I ever heard.
Wizard: It's not Bertrand Russell. But what do you want? I'm a cabbie. What do I know? I don't even know what the fuck you're talking about.
Travis Bickle: Maybe I don't know either.


Travis starts watching Palantine on TV at home, and continues looking in on campaign headquarters while driving by. He recognizes Iris on the street and starts following her, observing as she picks up a john before speeding off. His despair increases and he refers to himself as "God's lonely man." also commenting that "there is a change. Travis takes advantage of his fellow cabbie's offer to hook him up with a gun. Rather than choosing a gun, Travis takes all the guns the salesman shows him. He starts a meticulous workout program, stops eating junk food, getting himself "organized" for a mission taking shape in his mind. He practices pulling his guns in the mirror, and taping a knife to his boot. He chats with a Secret Service agent at a public appearance and practices, intimidating banter while now pointing his gun at Palantine posters. He defines his mission to himself:
 "Listen, you fuckers, you screwheads. Here is a man who would not take it anymore. A man who stood up against the scum, the cunts, the dogs, the filth, the shit. Here is a man who stood up."


Travis happens to be in a convenient store, when it's held up, and shoots the would be robber in the face. Concerned because he doesn't have a permit, the store owner takes the gun and beats the robber to death with a steel rod, telling Travis to take off. Travis starts watching TV with his gun in hand. He writes a card to his parents, claiming that he's working for the government and so can't reveal his address. He also claims he has a girlfriend named Betsy.  Palantine's people are ramping up for a big appearance. Starting to feel edgy Travis kicks over his television. He sees Iris on the street again and this time approaches her. She directs him to "Matthew"(Sport) Sport takes him for a cop, but after talking comes to an agreement. Iris takes him to a room, but rather than have sex, he talks to her. He reminds her of the day she got in the cab trying to get away. He offers to help her get away, but she doesn't understand, explaining that she must have been stoned when she tried to get away. He asks to see her again in a non professional way and she agrees to breakfast tomorrow. At breakfast he tries to talk her into going back to her parents. Iris rebuffs him.
Iris: God, you're square.
Travis Bickle: Hey, I'm not square, you're the one that's square. Your full of shit, man. What are you talking about? You walk out with those fuckin' creeps and low-lifes and degenerates out on the streets and you sell your little pussy for peanuts? For some low-life pimp who stands in the hall? And I'm square? You're the one that's square, man. I don't go screwing fuck with bunch of killers and junkies like you do. You call that bein' hip? What world are you from?

Iris starts considering leaving, but insists that something must be done about Sport, so he can't do the same thing to other girls. Iris asks him to leave with her, to go to a commune in Vermont, but he says he wouldn't hang out with people like that. Travis tells her, that he's working for the government and may be going away for a while, but tells her he'll give her the money to go.

Iris confronts Sport, telling her she doesn't like what she's doing. Sport talks to her like she's his girlfriend, convincing her to stay. Travis starts to make final preparations, making up an envelope with money for Iris and burning all the dead flowers which came back from Betsy. He arrives at Palantine's big rally, and we see that Travis has shaved his head leaving only a mohawk. Pushing through the crowd to meet Palntine, he's spotted by the secret service agents just before he can pull out his gun. He runs back to his apartment and then heads out to see Sport. After having a few words, in which Sport claims he doesn't know and Iris. He shoots Sport and the man running the rooms where the girls take their Johns. Sport isn't dead however and runs up behind Travis in the hallway shooting him. Travis kills him and another man runs into the hall shooting Travis again, before Travis kills him too. Iris witnesses the whole scene. Travis tries to shoot himself, but finds he has no bullets left, so he sits and waits for the cops.

Travis battle with Sport, makes him a hero in the newspapers, and we hear Iris' parents lettter, thanking him for saving Iris and sending her home. Travis goes back to driving his cab, and ends up with Betsy as a fare. Betsy reveals that she read about him in the papers and downplays his ordeal. He lets her off, and when she asks about the fare, he takes off . We resume seeing the city from Travis' point of view as he drives off.




"Taxi Driver" is a brilliant character study. Scorsese does a brilliant job filtering the world through Bickle's eyes, while at the same time keeping the facts in the real world. We see what happens and then get Bickle's take on it. Scorsese makes the world very dark and gritty, the streets covered with literal trash to match the human element that bothers Bickle. His use of through the windshield scenes are remarkably effective, showing us the world as Bickle moves through it viewing through the glass, almost like a child visiting the zoo. He is even isolated from his passengers, seeing them only through his rear view mirror. Whatever they do, doesn't affect him in the front seat. Bernard Hermann's score is also amazing, involving us in Bickle's precarious mental state shifting from dreamlike to threatening and back as needed, serving as an echo of his condition. It's notable that once Bickle finds his mission, the music disappears, as if for a moment, he's quieted the noise in his head.

DeNiro is amazing in this role, becoming Bickle inside and out. It's tough to admire DeNiro for it though, since his performance is so flawless we don't really see him, only Travis Bickle. For all his flaws and disturbances DeNiro's Bickle also has a certain dignity. This is a remarkably complex role, but we never see DeNiro acting, only Bickle struggling. The supporting cast is also terrific, Cybill Shepherd portrays Betsy believably as a woman who may as well exist in a different universe from Travis.  She is lonely, as Travis surmised, but she doesn't live with her loneliness like he does. The difference between them is largely one of background and social skills, but those two factors are quite significant. She also has aspirations, Palatine's campaign is a cause she sees as greater than herself, and perhaps this also attracts Bickle, the idea that she has found such a thing. His first chosen cause, is Betsy herself. As he puts it, "She's appeared like an angel. Out of this filthy mess..."Whether devoting himself to her beauty or to the idea of Love itself, this is a cause, which could make him great. His social ignorance however, makes this impossible, and for Betsy, who rarely travels outside convention, his social faux pas is unforgivable. He lured her outside her comfort zone, and then, in her thinking, insulted her, so she ran right back. While she recognizes that Bickle is full of contradictions, she can't imagine that anyone could bring her to a porno movie with innocent intentions. Young Jodie Foster is wonderful as Iris, making the most of her fairly limited time. Harvey Keitel as Sport is charmingly sleazy, and his exchanges with DeNiro are remarkably entertaining.

Travis Bickle is not a man plagued by a great outside evil. He is rather plagued by his own mind  and the absence of anything great in his life. He blames "the filth" that infests the streets, but at the same time, he drives around at night as if he's seeking it out. For a man bothered by the darker elements, he always ensures that he's surrounded by them. He makes it very clear that he want to be "something."  yet he can accomplish little when he lives most of his life inside his own head. He attempts to be social, hanging out with the other drivers for example, but he can't contribute easily to conversations, always getting caught up in his own lonely thoughts. It's notable that the other drivers don't find Bickle that strange and take his idiosyncrasies in stride. He's socially awkward, but not unique in that. He's a character that anyone could run into anywhere. He's lonely and frustrated but the intensity isn't obvious.

Bickle needs to "make a stand." Of that much, he is certain. He just doesn't know what he should make a stand for. His world doesn't offer easy black and white answers. How he chooses is another interesting point. Bickle is intelligent, but not educated. He comes to ideas and believes them but doesn't examine them through books or even conversation. He believes what feels right and "makes sense" to him, not much further than that. Intellectually, he chooses killing Palatine as his cause. The obvious reason would seem to be that he's identified Betsy as "like all the rest." and so determined her cause is not worthy either, and so deems it worthy of being eliminated.

My feeling is that Bickle also recognizes Palatine's insincerity, instinctively feeling insulted by Palatine's condescension when he was in the cab. Palatine says "I've learned more in cabs, than in all the limousines" While on the surface, Bickle accepts that, we sense his Bickle's belief straining, although at the time it stays in place because he still sees a chance with Betsy. It's worth remembering that while Bickle seems oblivious, he hears what's going on and doesn't forget, as evidenced several times, such as in the diner with drivers he was offered a good deal on guns, which he seems to disregard, but picks up on later. Another example is his brief first encounter with Iris, which he initially doesn't act on, but does a little later. He recalls what Palatine told him in the cab, agreeing with his own assessment of  New York as a cesspool, and stating that, yes, something should be done, but it would require drastic changes. He later sees Palatine on television, stating that he feels the people have answered his demands and risen to meet them. The two ideas are contradictory, and it's likely that's enough to tell Bickle that Palatine is a liar, or at least give him a justification to be angry. Keeping a liar from being President is a far more likely cause for Bickle than revenge against Betsy, a cause that goes against his reasoning (although that feeling is certainly there, he can't act on it for that reason.) We know from the beginning of the movie that he prizes his clean conscience, and while he may be capable of anything, it seems likely that he would need to justify his cause to himself.

A man who doesn't see himself as good, couldn't pass judgment as he does on the streets of the city. He doesn't see himself as evil by any means, only lost and confused. His moral center however can't be defined by an "average" moral center. We see him shoot a robber in the face without hesitation, only concerned that the cops will bother him about his lack of a permit. We don't know where he's been or what he's done in the past. He claims he was a Marine, but given all his claims later on of working for the government, this may be suspect. His sloppiness when killing Sport and his crew, suggests that if he was, he was never in the habit of killing. Whether or not he was a Marine, killing is not a problem for him at all, and neither is dying. It's implied that he thinks he'll be killed after shooting Palatine, given his questioning the secret service agent about his gun and his statement to Iris that he'll be "going away." His attempted suicide after shooting Sport's crew confirms that he's ready to die.

It's only by luck that he fulfills his secondary cause, freeing Iris from Sport. It seems likely that if he had indeed killed Palatine and been killed himself, Iris would've kept the money, but not gotten free. So even after finding the cause to give himself to, it's only his failure that allows him to accomplish anything truly worthy. Whether he would've accomplished this if he didn't believe they'd catch him for trying to shoot Palatine is uncertain. His sense of borrowed time, spurs him to make a last action and almost by accident he ends up accomplishing something good.

One very unsettling part of the movie, is the fact that Bickle has not changed. He played out his messiah fantasies and came out as a hero. He's celebrated, since no one knows of his attempted assassination. The loneliness that plagued him, doesn't show any indication of having gone anywhere. In fact, his perceived heroism, would likely increase his sense of isolation and give more credibility to the urges he struggles with. We don't know what he'll do next, but I would wager it won't be comforting. It's only a matter of time before he runs into another woman he needs to "save."

This isn't a film about morality. It doesn't condemn or praise Travis Bickle, just shows us a picture of who he is and what he does. We wonder, is Travis Bickle a product of his circumstances, is he just mentally ill, or both? While he's clearly psychotic, some of his concerns are valid in the context of the movie. He knows what his own problem is when he states,  "I don't believe that one should devote his life to morbid self-attention, I believe that one should become a person like other people." He clearly believes that he should be like other people but he doesn't know how. He can't get past the lack of something to stand for. He wants to be admirable, so much so that he'll give his life to achieve it. He's terribly misguided and naive in certain ways, but given what he sees in his life, it's not much of a stretch to think that his quest is not only to make himself worthy, but to prove that something worthy exists. (not that his mind would accept the prrof if he found it) If the film gives any answer, it's that sometimes good exists, but rarely does it happen due to your plans. The true tragedy is the ease with which Bickle walks through the word without raising a single red flag, finding himself a hero as a result of his psychosis being again unnoticed by the system and society around him.